Disclosing JW Anderson’s latest assortment without a customary runway show, because of the continuous pandemic, he rather sent would-be visitors an intuitive booklet highlighting photos of models in different new looks that could be removed and played with. It was sly, low-fi and an update that style is at last about making things. 着圧レギンス 選び方

Anderson is a gatherer of items, and is enthusiastic about supporting craftspeople and producers through presentations and drives like the Loewe Art Prize (“make is the one of the bedrocks of innovativeness,” he says). He is likewise an inventive polymath who joyfully moves between high-forehead and standard impacts, with references taking off and jumping between craftsmanship history and mainstream society.

In “Defiant Bodies,” a 2017 show he organized at the Barbara Hepworth historical center in Wakefield, Britain, Anderson united high workmanship and style: Metaphorical figures by Henry Moore and Louise Common remained close by design from the chronicles of Jean Paul Gaultier and Rei Kawakubo. He said, at that point, that there was “an energy about the discourse of these two characters addressing one another.”